Coven of the Scales
  • Home
  • About
  • ARCANUM
  • Contact
  • Blog

The Traditional Witch's Calendar - April

3/30/2020

0 Comments

 
Picture
APRIL: [OE] Easter-mōnaþ ‘Easter Month’, ‘Month of the Goddess Ēostre’ symbolised by the hare or [OHG] Ōstar-mānod ‘Easter month’. The medieval Irish poem ‘Dawn’ represents the goddess at dawn. It was in Scandinavia, perhaps understandably, considering the long winter nights that she was most widely worshipped. Her Scandinavian name was Eostre and she gave her name to the Christian festival of Easter, which is one of the few Christian festivals that changes its date according to the moon. The Ēostre spring festival is celebrated on the first Sunday after the first full moon occurring on or after the Vernal Equinox - depending on the approximation of March 21st for the Vernal Equinox. The Easter Bunny is derived from the sacred Moon Hare, and the Easter Egg from the notion (strongly believed in medieval Germany) that the Moon Hare laid eggs for children on the eve of Easter.  In the 14th century misericord calendar, it was shown as the time for scaring birds from the fields to protect the new shoots of grain. A flock of pigeon can strip a field in no time. The tree representing April is the Willow, associated with mourning in the old days and is often referred to as such in traditional folksongs and ballads.
 
Willow Magic: There are several different species of willow but they all have similar medicinal properties and can be used interchangeably in magic. Willows are one of the earliest colonisers of these Islands and it should come as no surprise that it can be found in the Celtic tree alphabet; it is classed as one of the Peasant Trees and bears the name saill. In Celtic times, those wishing to learn eloquence, to be granted visions, prophetic dreams or inspiration, frequented groves of willow. Artists and artisans who learned their craft in willow groves were reputed to be especially skilled.
 
1st Veneralis, the Feast of Venus and All Fool’s Day for the Romans when everyone participated in ludicrous celebrations; a custom that has persisted down through the ages to the present day as have many of the other important old Roman festivals that were assimilated into the later Church calendar and the deities given saints’ names. Today: The tricks we play on our friends and neighbours should be rooted in good fun not malice.
 
Weather-lore: If it thunders on All Fools’ Day, it brings good crops of corn and hay.
 
Eastertide: St Ives’ Great Easter Fair [Hunts] was huge and eventually drew merchants from Flanders, Brabant, Norway, Germany and France for a four-week event each year, turning the normally small town into ‘a major commercial emporium’. Dozens of stalls would be established and hundreds of pounds of goods bought and sold; the fair being one of Ramsey Abbey’s biggest local sources of income. A Royal charter for the fair was first granted in 1110 by Henry I and allowed the Abbot to hold a fair at Slepe (as St Ives was still called then) for eight days each Easter. During the 12th and 13th centuries St Ives was one of the most important fairs in the whole country.  It was an important market for cloth and it is no coincidence that the fair declined at the same time as a sudden collapse in the English weaving industry in the years around 1300.  Later royal charters changed the dates of the fair and there was also a short-lived August fair, and other charters to set up weekly markets but the 1110 charter was the first. Today: Treat this as a family day out just as our forebears would have done.
 
At Hungerford, Berkshire, the Hocktide Festival commemorates the patronage of John of Gaunt who granted the town special fishing and grazing rights in 1364. He also gave the town his hunting horn which is preserved in the vaults of the local bank; a replica of this horn in blown annually in the Corn Market to summon the local people to the Festival. ‘Hoke Monday was for the men and Hoke Tuesday for the women. On both days the men and women alternately, with great merriment obstructed the public road with ropes and pulled passengers to them, from whom they extracted money to be laid out in pious uses.’ [Brand’s Antiquities] Today: Treat this as a family day out just as our forebears would have done.
 
Hocktide: A very old medieval festival used to denote the Monday and Tuesday in the week following the second Tuesday after Easter to commemorate the day when the English surprised and slew the Danes, who had annoyed them for 255 years. This Tuesday was long held as a festival in England and landlords received an annual tribute called hock-money, for allowing their tenants and serfs to celebrate Hock-Day. Together with Whitsuntide, the twelve days of Yuletide and the week following Easter marked the only vacations of the husbandman’s year during slack times in the cycle of the seasons. 
 
4th Megalesia: Another ancient seasonal festival of Cybele, the Great Mother Goddess, who may have originated in Neolithic times. She was worshipped in Phrygia, Ancient Greece and throughout the Roman Empire. See 22nd March Attis Arbour Intrat and 25th the Hilaria. The Megalesia celebrated the anniversary of Cybele’s arrival in Rome. The festival structure is unclear, but it included ludi scaenici (plays and other entertainments based on religious themes), probably performed on the deeply stepped approach to her temple; some of the plays were commissioned from well-known playwrights. Today: Observe this as a traditional day to welcome the Great Mother into your home with lots of flowers.
 
6th Old Lady Day. This would be the traditional day for rents to be collected as per the old Julian calendar.
 
14th The cuckoo sings from St Tiburtius’s Day (14th April) to St John’s Day (24th June) and is the sign that Spring has arrived. The bird’s arrival is usually mid-April but in Worcestershire there is the saying that the cuckoo is never heard before the Tenbury Fair (21st April) or after the Pershore Fair (26th June). The discrepancy in dates is because traditionally the bird arrives in different parts of the country on different days during April. Various April dates were called ‘Cuckoo Days’ and some places still hold ‘Cuckoo Fairs’ – such as Marsden Cuckoo Day in West Yorkshire, a traditional annual festival that celebrates the arrival of Spring; Heathfield Cuckoo Fair in East Sussex marked the traditional myth of releasing of the cuckoo from a basket when it flies north carrying the warm weather with it; or Downton Cuckoo Fair in Wiltshire held on the village green to mark the ‘opening of the gate’ to let the cuckoo through.  Today: Make a wish when you hear the first cuckoo.
 
15th Fordicidia, a Roman festival to promote the fertility of cattle and fields, usually held on the Ides of April. Today: Observe one of the pastoral festivals with a simple lunch in the open air.
 
 
21st Parilia, a festival to honour the old Roman pastoral goddess Pales and observed by driving livestock through burning straw to cleanse both sheep and shepherd. Today: Observe one of the pastoral festivals with a simple lunch in the open air.
 
23rd Shakespeare Day. Marks the date of the Bard’s birth (1584) and also the anniversary of his death (1613). The memorial to him is located inside Holy Trinity Church at Stratford-upon-Avon, the church in which Shakespeare was baptised and where he was buried in the chancel two days after his death. It carries the inscription: ‘Good friend for Jesus sake forbeare, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones.’ Which is a full-blown curse if ever I heard one! Today: Watch your favourite Shakespeare play.
 
23rd Feast of Saint George who, according to legend, was a Roman - soldier of Greek origin and an officer  in the Praetorian Guard of Roman emperor Diocletian, who was sentenced to death for failing to recant his Christian faith. As a Christian martyr, he later became one of the most venerated saints in Christianity and in particular during the Crusades. Edward III of England put his Order of the Garter under the banner of St. George around c1348. The chronicler Jean Froissart observed the English invoking Saint George as a battle cry on several occasions during the Hundred Years’ Wars, which explains the rallying cry in Shakespeare’s Henry V: ‘Cry God for Harry, England, and Saint George’. In his rise as a national saint, George did not become the patron saint of England until the 14th century because he remained obscured by Edmund the Martyr, the traditional patron saint of England, until in 1552 during the reign of Edward VI, all saints’ banners other than George’s were abolished because the king wanted to identify with a more befitting hero.  Today: Celebrate this national day of England.
 
24th St Mark’s Eve. The night on which all persons fated to be married or to die during the coming year, were supposed to pass in procession through the church porch. From a very early period there has existed a belief in the existence of a power of prophecy at that period which precedes death [Folk-Lore in Shakespeare].
 
.25th Robigalia was a Roman festival where sacrifices were made to protect grain fields from disease. The celebration included chariot races, games and a blood sacrifice. A prayer for the occasion is quoted in Ovid’s Fasti, Book IV. It begins: ‘Scaly Mildew, spare the blades of corn, and let their tender tips quiver above the soil. Let the crops grow, nurtured by favourable stars, until they’re ready for the sickle’. Today: Here we might offer up the prayer with a libation poured in the vegetable plot to encourage a healthy crop.
 
27th Floralia is the beginning of a Roman spring festival that honoured Flora the goddess of flowers. According to Willian Warde Fowler’s The Roman Festivals of the Period of the Republic the festival had a licentious, pleasure-seeking atmosphere. “In contrast to festivals based on Rome’s archaic patrician religion, the games of Flora had a plebian character.” Today: The elements of the Parilia and the Floralia may have contributed to the later Beltaine celebrations as the Roman Empire spread into Britain.
 
Weather-lore: ‘April wet, good wheat’.
 
30th Walpurgis Night is the English translation of Walpurgisnacht one of the Dutch and German names for the eve of the feast day of 8th century St Walpurga. In Germanic folklore is also called Hexennacht, literally ‘Witches’ Night’, and believed to be the night of a witches’ meeting on the Brocken, the highest peak in the Harz Mountains, a range of wooded hills in central Germany between the rivers Weser and Elbe. The first known written occurrence of the English translation ‘Walpurgis Night’ is from the 19th century. Today: Modern Beltaine Eve.

Picture
0 Comments

Old Craft for a New Generation

3/20/2020

0 Comments

 
I recently read a response on an application form for Coven of the Scales to the question “What do you understand by the term traditional British Old Craft?” The response was that “‘Witchcraft is whatever you want it to be?” It might if we are talking about eclectic paganism … but within Old Craft if there is no natural ability for communicating with the spirit world, divination, recognizing and reading the omens, healing, cursing and moving between the worlds, then there is no witch. Added to this, Old Craft is extremely selective when it comes to prospective members and will reject any who prove themselves unsuitable for the Path.
 
Magic – whether of the folk or ritual variety – does not conform to the whims and vagaries of contemporary fashion and, like science, it has its own laws and lore that must be adhered to if a successful outcome is required. As ritual magician David Conway warns in his The Complete Magic Primer, to go through the ritual motions with no clear idea of what they are all about is mere superstition, not magic.
 
In any case, a witch should expect more from his or her magic than mere signs and wonders. If these are all he is after, he would be better advised to take up conjuring, which is far less trouble. The real rewards of magical study are not temporal benefits but a spiritual maturity which affords a more profound understanding of the universe in which we live. The form of traditional witchcraft practiced by the Coven of Scales teaches that the basic tenet of belief, although not a religion, does have a highly defined spiritual element to its practice. Also that Old Craft is fundamentally animistic – the belief that every object, animate and inanimate, has its own life-force, or energy. Here there is no separation between the spiritual or physical world, where ‘spirit’ exists in all flora and fauna (including humans); geological features such as rocks, mountains, rivers and springs; and in natural phenomena such as storms, wind and the movement of heavenly bodies. It is the understanding that a small quartz pebble can link us with the cosmic Divine.
 
Those members of CoS who have successfully passed through the first portal are usually mature individuals who have seriously studied other paths and traditions but were not comfortable with the contemporary dogma and questionable sources. Because let’s make no bones about it, today’s pagan interpretation of witchcraft often belongs to a revivalist tradition and should not claim to be anything else. Nevertheless, the seasonal rituals and celebrations need to be as close as they can to the beliefs of our Ancestors without falling into the trap of lumping all the deities
together in one ageless pantheon … and expecting the magic to work!
 
These simple tenets of faith need to be enshrined in our memory because they allow us to perceive the simplicity at the heart of creation.  Much of this may be seen as playing with semantics, but in truth, the god-forms themselves have changed greatly down through the millennia. It is only by studying myths, legends and folklore, and pulling all the strands together that we can appreciate just how much these have altered.
 
The spirits of the landscape that are the true focus of the ancestral beliefs of Old Craft have remained constant; they have not altered their form and have only grown more powerful with age. These well-springs of magical energy have not been contaminated because few have known of their existence – apart from the native shamanic practitioners [witches] who have kept the secret down through the ages. In more secluded spots, the spirit-energy of the ancient Britons survives in remote ancient monuments, isolated lakes, the rural landscape, and in the depths of the surviving wildwood with which our hunter-gatherer Ancestors would have been familiar.
 
When the native shamanic practices went into the shadows, these powerful energy spots were deemed unholy and feared by the locals – and as such passed into folklore as those things that
are “never fully remembered and yet never fully forgotten.” Those people who come to us are looking for the Path back to the Old Ways and learning how to connect with this timeless energy that “speaks” to them on a variety of different levels. In the light of all this, it might be felt that Old Craft has no place in modern paganism since it is both elitist and hierarchical but our answer to that accusation has always been: “How can you teach yourself what you don’t know exists?”
 
It is pointless stripping away all the ancient magical formulae to shoe-horn ancient wisdom into a pre-prescribed contemporary system in order to make it easier to understand, when the interior workings that drive the whole have been declared redundant. The ancient symbols, sigils, formulae, analogies and metaphors remain an integral part of the spiritual journey; just as magic
is an amalgam of science and art and the stepping stone to the Mysteries. These symbols are so ancient that they are firmly entrenched in the collective subconsciousness and it would be a mistake to discard them purely because they are not understood – or worse still – misunderstood.
 
During the recent BBC History of Magic programme that unveiled rare books, manuscripts and magical objects from the British Library’s collection and forthcoming exhibition, were revealed some of the traditions of folklore and magic which are at the heart of the Harry Potter stories. J K Rowling said of the exhibition: “The British Library has done an incredible job. Encountering objects for real that have in some shape or form figured in my books has been quite wonderful and to have several of my own items in the exhibition is a reminder of twenty amazing years since Harry was first published…” And she was honest enough to admit that although she had thoroughly researched her subject, some of the magical stuff was made up!
 
The worlds of J K Rowling and J R R Tolkein are fabulous stories, full of magic and glamour (in the magical sense) but they are wonderful works of fiction and fantasy – not reality. Nevertheless
I suspect that many of those original “kiddy converts” have now swelled the ranks of the pagan community but where do they go to discover authentic witchcraft? Our own ‘converts’ discovered for themselves that there was a dearth of material available and it took them many years of searching before they discovered there were other approaches to witchcraft than popular Wicca. Just as not every member of a Christian congregation came be a priest, so not every pagan can be a witch since according to tradition this is some innate ability that manifests in the ways of the Craft.
 
And although we draw upon the natural energy from the landscape, we are even closer to those sentient beings we refer to as the Ancestors who represent our culture, traditions, heritage, lineage and antecedents; they trace the long march of history that our predecessors have taken. When those of a particular Tradition pass beyond the veil, their spiritual essence merges with the divine spirit of the Whole, which in turn gives traditional witchcraft the continuing power to endure – even past its own time and place in history. It therefore remains the duty of an Old Craft witch to ensure that they keep adding to the strength of belief, which, in many instances may already have endured for hundreds of years
 
So yes, in the twenty-first century you can view witchcraft as being whatever you want it to be but please don’t pretend to be following the Old Ways – because those “old ways” still matter.

 
 
Melusine Draco is an Initiate of traditional British Old Craft and the Khemetic Mysteries and author of over fifty titles, many currently published with John Hunt Publishing, including the popular Traditional Witchcraft series published by Moon Books and a contributor to their latest anthology, What is Modern Witchcraft?  www.moon-books.net  Or contact www.covenofthescales.com for more information.
Picture
0 Comments

    Archives

    October 2023
    September 2023
    January 2023
    August 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019

    Categories

    All

    RSS Feed

Site powered by Weebly. Managed by Letshost.ie