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Nature Creates Her Own Wheel of the Year … all we have to do is follow it

4/13/2021

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In Traditional Witchcraft for Fields & Hedgerows , Melusine Draco looks at the importance for young witches to go rummaging about in the hedgerow and coming face to face with its inhabitants. This was the third in the Moon Books, Traditional Witchcraft series, which is slowly but surely making its way towards best-selling status. 
 
Many years ago, my friend and I passed those long, hot summer days of childhood roaming the surrounding fields and hedgerows. Then, we could disappear for hours, discovering the treasures of the season and enjoying the closeness of a silent companionship. Some sixty years and hundreds of miles apart, we still share those memories of knowing where to find the first flowerings, and close encounters with birds and animals of the hedge bank.  “Do you remember …” frequently crops up in letters and telephone conversations to recall to mind some indelible memory of a bank of spring celandines; the glimpse of a hunting stoat snaking through the undergrowth near the ruined barn; Easter violets; the chatter of nesting hedge sparrows, or more correctly ‘dunnock’, who often play foster parents to the cunning cuckoo.
 
Hedgerows were a prominent and distinctive feature of the landscape when I was a child, and the oldest were probably remnants of the continuous woodland that once covered most of the land. As villagers and landowners cleared the forest for agriculture, they would leave the last few feet of forest standing to mark the outer boundaries of their land.  A traditional witchlet instinctively knows that these boundaries have a special magical significance, especially at dawn or dusk when we encountered a tawny owl hunting along the hedge in the twilight – or ‘owl light’ as we called it.
 
On a much deeper level the ‘hedge’ refers to the hedgewitch’s boundary separating the mundane world from Otherworld.  The hedge also represents a physical and psychic protective boundary, separating spirit from human – thus hedgewitches are said to ‘hedge-ride’ by crossing the liminal space of the time between times.  While hedge-riding is seeing a resurgence in popularity, the practice itself is actually quite old with most modern practices based on historical texts with modern mistransliterations, interpretations and adaptions.
 
Some of our most ancient hedges are the remnants of such boundaries, perhaps even now still marking parish borders.  Hedges were also formed to enclose patches of land to contain livestock.  This would have been done close to a farm or village, and in many places, these small irregular enclosures can still be recognised by witches of today, as indications of old field patterns and ancient hedgerow.  The majority, however, were planted in the 18th and 19th centuries to enclose patches of land in order to establish ownership.  Nevertheless, the older the hedge, the more we feel we are walking in our ancestors’ footsteps as we search for magical and medicinal ingredients.  Probably the leaves of the hawthorn are the first wild vegetable country children learned to eat: widely known as ‘bread and cheese’ the young leaves have a pleasant nutty taste and we used to add them to our picnic sandwiches.
 
For both countrywomen and witches the hedge was extremely important. A veritable treasure house: a source of food, drink, medicine, shelter, fuel and dyes, while numerous superstitions arose around many hedgerow plants. The special plant community that makes up a mature hedgerow also offers a wider range of food for animals and birds than most deciduous woodland, making the hedge a very attractive habitat in winter. After feasting on the autumn harvest of elder and blackberries, birds turn to rosehips and haws, then sloes, and finally to ivy berries and this is where we become familiar with our totem animal or bird in its natural habitat. Here we often encountered a basking grass snake, or better still a shed skin that could be made into a witch’s garter.
 
The Romans introduced a large number of herbs to Britain, valuing them for their supposed supernatural powers, as well as culinary and medicinal uses … and many of these plants now grow profusely in the wild. By the Middle Ages, the use of herbs for magical purposes was commonplace, and every village had its own witch or cunning-woman. A medieval witch was an expert in the identification of wild herbs, and from the countryside surrounding her home she would gather the appropriate plants for scenting linen, flavouring sauces … or procuring an abortion. Herbs were so important in daily life that when people moved around the country, they took with them the plants and the superstitions surrounding them.
 
Dr Harold Selcon reminds us in The Physicians of Myddfai, that by the end of the 14th century a different class of medical herbalist was developing — the apothecaries — who purchased herbs collected from the countryside by wandering professional herb collectors, known as the ‘green men and women’. This occupation was a traditional one with a long history, and during the reign of Elizabeth I the ‘Wild Herb Act’ was passed, giving the ‘green-men’ the right to gather herbs and roots in wild uncultivated land. Nevertheless, prior to, and during the First and Second World Wars, Britain grew large quantities of its own medicinal herbs; while a significant quantity of wild herbs were gathered for commercial use. The ‘wild herb men’ finally went out of business in the early 1960s, although in December 1972, the East Anglian Magazine featured an article on one of the last men to gather wild plants for a living.
 
In fact, the use of common native plants in everyday home medicine is now almost obsolete, largely because it was mainly a DIY collection of first aid remedies, often passed on orally, rather than a written record. Although the growing pagan community has resulted in a resurgence of interest in these natural remedies, those who were fortunate in learning the language of the fields and hedgerows at an early age retain these early lessons in order to give a greater understanding of witchcraft in later life.   Those fields and hedgerows still provide a vast encyclopaedia for those with an active interest in Craft practice and the folklore handed down to us hides much more than it reveals.
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Mélusine Draco’s Traditional Witchcraft series (including Traditional Witchcraft for Urban Living, Traditional Witchcraft for the Seashore, Traditional Witchcraft for Fields & Hedgerows, Traditional Witchcraft for Woods & Forests, Traditional Witchcraft & the Pagan Revival and Traditional Witchcraft and the Path to the Mysteries) is published by Moon-Books, an imprint of www.johnhuntpublishing in paperback and e-book format.  Also available from Amazon. 
 
Michael Howard | The Cauldron 
“The third book in this series approaches the subject from the premise that whether we live in the city or the countryside nature is all around us. According to the author, it is the natural world that can teach us how to be a witch and release the knowledge of the Old Ways ... Overall this series is recommended as a safe introduction for absolute beginners looking for their first connect with a traditional type of witchcraft through the medium of folklore and naturalism.”
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Deosil Dance Magazine 
“It is a fascinating and insightful book on the folklore of plants, weather lore, treelore, and nice recipes that are easy to follow. With nice gentle introductions into each of the seasons, it is a good book to give to newcomers & children alike who will be fascinated by the contents.”

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The Secret People

4/4/2021

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This extract is taken from ‘The Parish Healer’ chapter under Old Wives’ Tales -
a dismissive expression normally used to indicate that a supposed truth is actually a superstition to be ridiculed. Such ‘tales’ were considered to be unverified claims with exaggerated and inaccurate details, often focussing on ‘women’s concerns’, discouraging unseemly behaviour in children, or folk cures for ailments ranging from a headache to in-growing toenails.

Old Women’s Sayings was a song published on ‘Broadside’ by a number of 19th century printers, the earliest being John Pitts and James Catnach. A broadside was a large sheet of paper printed on one side only. They were usually posters announcing events or proclamations, or simply advertisements. Broadsides are difficult to date accurately since all the printers copied each other’s work as a matter of course, but the earliest versions seem to date from c.1835.
 
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Draw near and give attention
And you shall hear in rhyme
The old women’s saying
In the olden time.
High and low, rich and poor
By daylight or dark
Are sure for to make
Some curious remark
With some foolish idea
Your brains they will bother
For some believes one thing
And some believes another.
 
Chorus:
These are odds and ends
And superstitious ways
The signs and tokens
Of my grandmother’s days.
 
The first thing you will see
At the house of rich or poor
To keep the witches out
A horseshoe’s o’er the door;
Bellows on the table
Cause a row by day and night
If there’s two knives across
You are sure to have a fight;
There’s a stranger in the grate
Or if the cat should sneeze
Or lay before the fire
It will rain or freeze.
 
A cinder with a hole
In the middle, is a purse
But a long one from the fire
Is a coffin – which is worse;
A spider ticking in the wall
Is the death-watch at night
A spark in the candle
Is a letter, sure as life;
If your right eye itches
You’ll cry till out of breath
A winding sheet in the candle
Is a sure sign of death.
 
If your left eye itches
You will laugh outright
But the left or right
Is very good at night;
If your elbow itch
A strange bedfellow found
If the bottom of your foot itch
You’ll tread on strange ground;
If your knee itch you’ll kneel
In a church, that’s a good ’un
And if your belly itch
You’ll get a lot of pudden.
 
If your back should itch
I do declare
Butter will be cheap
When the grass grows there
If the dog howl at night
Or mournfully cry
Or if the cock should crow
There will be someone die;
If you stumble up stairs
Indeed I’m no railer
You’ll be married to a snob
Or else to a tailor.
 
A speck on your finger nail
Is a gift that’s funny
If your hand itch in the middle
You will get some money;
Spilling of salt
Is anger outright
You will see a ghost if the doors
Should rattle in the night;
If your sweetheart
Dreams of bacon and eggs
She’ll have a little boy
That has got three legs.
 
The cat washing her face
The wind will blow
If the cat licks her foot
It is sure to snow;
Put your gown or your jacket
On, inside out
You will change your luck
And be put to the route [sic]
If your nose itches
You’ll get vexed till you jump
If your great toe itch
You’ll get a kick in the rump.
 
If a girl snaps one finger
She’ll have a child it seems
And if she snaps two
She’s sure to have twins;
And if she snaps eight
Nine, ten, or eleven
It’s a chance if she don’t
Have twenty and seven;
If you lay with your head
Underneath the clothes
You’ll have an ugly old man
What has got no nose.
 
If you see a star shoot
You’ll get what you wish
If a hair gets in your mouth
You’ll get as drunk as a fish;
If your little toe itch
You’ll be lost in a wave
If you shiver there’s somebody
Going over your grave;
If you go under a ladder
You’ll have bad luck and fall
And so say bad luck
Is better than none at all;
 
So to please outright
I have told you in rhyme
The great superstition
Of the olden time.
 
Many of these sayings passed into family use although some differed around the country. For example, an itchy palm was said to show money was on the way, but some believe it’s the right hand, while others say: ‘Left hand receive,’ and rub the palm against wood. The explanation for the latter was that the receiver shook hands with the right hand, as they were receiving the ‘gift’ with their left. ‘It works every time,’ admitted one country woman. ‘It might only be a penny found in the street, but it has to be unexpected.’
 
In recent years, research has show that more and more of these old superstitions have more than a grain of truth in them, or have detected the logic behind the casual warnings. Whether they are fact or fiction, most people have grown up with their use within the family.
 
Melusine Draco

 The Secret People by Melusine Draco is published by Moon Books - www.moon-books.net ISBN 978 1 78535 444 1 : UK£13.99/US$22.95 : 226 pages : in paperback and e-book format.
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    Julie Dexter
    James Rigel
    ​Melusine Draco
    Philip Wright
    ​Carrie West
    ​Suzanne Ruthven

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